
Readings by Maxe Crandall and Erin Shurin, with an introduction by Robert Glück and music by Matt Sussman.
Presented in partnership with UC Berkeley Poetry Colloquium.
Online via Zoom
Full closed captioning available for all Zoom events.

Maxe Crandall is a poet, playwright, and director. His performance novel The Nancy Reagan Collection (Futurepoem) made the New York Public Library’s Best 10 Poetry Books of 2020, LitHub’s 65 Favorite Books of 2020, and was a finalist for the Lambda Literary Award in Transgender Poetry. Crandall has received fellowships and grants from MacDowell, Yaddo, The Poetry Project, The Lambda Literary Foundation, and Onassis USA. He is a poetry editor at FENCE and the Director of Small Press Traffic.
Photo: Chupan Atashi

Aaron Shurin the author of fourteen books of poetry and prose, most recently The Blue Absolute, from Nightboat Books. A pioneer in both LGBTQ+ studies and innovative verse, Shurin was a member of the original Good Gay Poets collective in Boston, and later the first graduate of the storied Poetics Program at New College of California. He has written numerous critical essays about poetic theory and compositional practice, as well as personal narratives on sexual identity, gender fluidity, and the AIDS epidemic. He’s the former director and currently Professor Emeritus for the MFA Writing Program at the University of San Francisco.

Robert Glück is a poet, fiction writer, critic, potter, and editor. In the late 1970s, he and Bruce Boone founded New Narrative, a literary movement of self-reflexive storytelling that combines essay, lyric, and autobiography in one work. Glück is the author of the story collections Elements and Denny Smith; the novels Jack the Modernist, Margery Kempe, and About Ed (all published by New York Review Books); and a volume of collected essays, Communal Nude. His books of poetry include La Fontaine with Bruce Boone, Reader, In commemoration of the Visit with Kathleen Fraser, and I, Boombox. Glück has served as codirector at Small Press Traffic, as an associate editor at Lapis Press, and as the director of the Poetry Center at San Francisco State University, where he is an emeritus professor.

Matt Sussman has written for Art in America, SFMOMA's Open Space, Wire, and the late San Francisco Bay Guardian, among other publications. He is also one third of the Other Stranger DJ crew, who threw a night devoted to mutant electronics at The Stud between 2019 and 2020. He proudly sits on SPT's advisory board.
Small Press Traffic is a Bay Area seedbed for poets who push boundaries in the arts. We present programs, publications, and curatorial opportunities with an ethos of radical inclusivity. Committed to this mission since 1974, we highlight diverse, multidisciplinary, and intergenerational practitioners in our public programs, and prioritize equity, accessibility, and collaboration in our working model. SPT also stewards an archive of small press material produced and circulated in the Bay Area over the last half century.
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