Theadora Walsh is a writer who makes essays, journalism, poetry, and moving texts with an interest in considering the tension between the physicality of language and its documentation. Her work has appeared in the Los Angeles Review of Books, Gulf Coast, sfmoma’s Open Space, Apogee, Vol 1 Brooklyn, and Unbag. Criticism has appeared in Artforum, KQED arts, Art Papers, BOMB, Electronic Book Review, and Afterimage, and elsewhere. She holds an MFA from Brown University where her thesis won the 2019 Francis-Mason Harris '26 Prize for book length manuscript. Recently, she ran a curatorial project in San Francisco called In Concert.
Small Press Traffic is a Bay Area seedbed for poets who push boundaries in the arts. We present programs, publications, and curatorial opportunities with an ethos of radical inclusivity. Committed to this mission since 1974, we highlight diverse, multidisciplinary, and intergenerational practitioners in our public programs, and prioritize equity, accessibility, and collaboration in our working model. SPT also stewards an archive of small press material produced and circulated in the Bay Area over the last half century.
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