Hope Mohr is a choreographer, visual artist, writer, and advocate. She trained at San Francisco Ballet School and on scholarship at the Merce Cunningham Studio prior to performing in the companies of dance pioneers Lucinda Childs and Trisha Brown. She has made cross-disciplinary performance for eighteen years. In 2007, she founded Hope Mohr Dance (HMD). In 2010, she founded HMD’s presenting program, The Bridge Project. In 2020, she co-stewarded the organization’s transition to a model of distributed leadership and a new name: Bridge Live Arts. In 2014, Dance Magazine editor-in-chief Wendy Perron named Mohr as one of the “women leaders” in dance. In 2015, she was named to the YBCA 100, Yerba Buena Center for the Arts’ annual nationwide list of artists posing important questions about contemporary culture. Her book, Shifting Cultural Power: Case Studies and Questions in Performance, was published by the National Center for Choreography in 2020.
Small Press Traffic is a Bay Area seedbed for poets who push boundaries in the arts. We present programs, publications, and curatorial opportunities with an ethos of radical inclusivity. Committed to this mission since 1974, we highlight diverse, multidisciplinary, and intergenerational practitioners in our public programs, and prioritize equity, accessibility, and collaboration in our working model. SPT also stewards an archive of small press material produced and circulated in the Bay Area over the last half century.
SupportWebsite designed and built by: Companion–Platform
a note On the Dandelion