This four-part workshop studies the relationship between sound and text with the help of local and visiting sonic specialists. From intermedia and kinesthetic practices, through interactive and generative recording, to subversive hearing methods, Sonic Language offers participants a multi-faceted methodology for oral/aural engagement in writing. Participants will receive training in various technologies of sound to more fully let language resonate, to tune the dials that make poetry.
This year's workshops were organized by Laura Nelson and Noah Ross, a curatorial team assembled by SPT Board Member Melissa Mack.